Typical phrases about near death experiences are spoken and decayed over a cacophonic disruption of plundered library horror sound effects and music samples, hand printed as optical sound on film. On screen a hand creeps around some classic TV fuzz captured by a process of digital and analogue refilming. The performance is overdriven by a rotating cyan and yellow colour filter wheel and a sonically and visually pulsing strobe light. A disjunctive experience – the media is embodied, haunted.